Kevin Morby in Portland

Kevin Morby

with Sam Cohen
With his four acclaimed solo albums and myriad records of various collaboration, Kevin Morby has become a true musical auteur. His singular vision, evocative lyrics, and aptitude for catchy, dense songwriting has placed him firmly among the ranks of modern icons like Bill Callahan, Kurt Vile, Sharon Van Etten, Will Oldham, and Jeff Tweedy. Each Morby record possesses its own unique persona and explores intriguing themes and fertile terrain through shifting, focused textures and dexterous, dedicated skill. And now, with the lavish, resplendent, career-best double LP Oh My God, Morby delivers a grandiose directors cut of his biggest statement to date, epic in scope as well as sound.Throughout his past work, Morby has noticed the ubiquity of an apparent religious theme. Though not identifying as religious, Morbythe globetrotting son of Kansas City who has made music while living on both coasts before recently returning to his Midwestern stomping groundsrecognizes in himself a somewhat spiritual being with a secular attitude towards the soulful. And so, in an effort to tackle that notion head-on and once-and-for-all, he sat down in his form of churchon planes and in bedsand wrote what would become his first true concept album. This one feels full circle, my most realized record yet, says Morby. Its a cohesive piece; all the songs fit under the umbrella of this weird religious theme. I was able to write and record the album I wanted to make. Its one of those marks of a life: this is why I slept on floors for seven years. Ive now gotten the keys to my own little kingdom, and Im devoting so much of my life to music that I just want to keep it interesting. Morby admits he has viewed the world through a skewed spiritual lens his entire life. As a kid he was told by his working-class parents that he was a Methodist, though the family rarely if ever made good on that claim come Sunday, and he saw fire-and-brimstone billboards on Kansas roadways with the aim of scaring heathens straight. Despite his ignorance and indifference, religion seemed to be everywhere, and as Morby grew as a musicianplaying bass for Woods, fronting The Babies, and with his solo careerhe embraced its influence with his work. In 2016, on the heels of a trio of critically-acclaimed albums, he wrote the protest song Beautiful Strangers about the devastating world events of that year, and in it he inserted multiple oh my gods as pleas of desperation. The song became his most celebrated work to date and the phrase became a mantra for Morby, inspiring him to weave the exclamation conceptually into the fabric of an entire album. In effect, he sought to highlight how that immortal turn of phrase embodies so much of our relationship with the sacred and profanehow religion is all around us, always, and that by simply uttering an OMG we enforce its ubiquity and ability to endure while humanizing its reach.Religion is around all of us, Morby says. Its a universal language and there is profound beauty in it. Ive found it a useful tool within songwriting, as its something everyone can relate to on some level. There are religious themes or imagery in a lot of what Ive done, so I wanted to get all of that out and speak only that language for a whole record. Its not a born-again thing; its more that oh my god is such a profound statement we all use multiple times a day and means so many different things. Its not about an actual god but a perceived one, and its an outsiders view of the human experience in terms of religion.In January 2017, preceding the release of his fourth solo record City Music, Morby went into producer Sam Cohens Brooklyn studio for four days to record a handful of material written with his usual folk-meets-lo-fi-electric-guitar sound in mind. Cohen, with whom Morby made his 2016 breakthrough Singing Saw, had started recording the new songs with a business-as-usual mentality when on the third day he was struck with an idea: Rather than create what was becoming Singing Saw: Part 2, what if they stripped everything back and instead of the entire Morby rock palette used only a few colors at a time, focusing on Morby as hyper-literate singer instead of guitar-slinging troubadour?Sam suggested that we make songs that sound like sonic pop-art that only have a few colors, like a Keith Haring piece, Morby says. My other records had tons of colors, so we decided to keep this stark, like a painting thats black-and-white with one vibrant blue. We went back to the drawing board and thought about what we wanted to do conceptually across an entire piece. And for the first time I could do exactly what I wanted, as I had time and the ability to get everything precise. Sam encouraged me to let my lyrics sit on top of everything else, and that discovery and the confidence that came with making my fifth record helped me realize the new direction was exactly where we needed to be. We opened it up completely and set out to make something in its own universe.Over the remaining day-and-a-half, Morby and Cohen recorded new versions of four songsOh My God, No Halo, Savannah, and Nothing Sacred/All Things Wild, the latter becoming a mission statement for the new sound and featuring Morby singing, Cohen playing a subtle organ part, and Morbys drummer Nick Kinsey on congas. Breaking the songs down into their separate parts served Morbys religious theme perfectly, as did the blueprint of Beautiful Strangers, a song that would serve as a skeleton key of sorts for everything that was to come. Over the course of 2017, he wrote an albums worth of songs modeled after Strangers while on tour.As Morby jetted around the world playing shows, he came to realize that all that air travel was making its way into his music, too. He had always used his time in the sky to work on songs and listen to demos he had recorded, but he began noticing an aero-dynamic emerging in his lyrics as well. Flying can be something of a religious experience for many people, myself included, he says. Its unnatural, and it can be so scary being that high upa few big bumps can even make an atheist pray. Youre anxious as you take off and thinking about death, then you level off and suddenly youre in this kingdom above the clouds. Theres a holy feeling, and a big part of the records theme is being above the weather. The first song, Oh My God, starts with chaotic hammering on a piano and then smooths out with a choir singing; its meant to mimic how I feel on an airplane.All that flying also meant Morby was sleeping in a new place each night, a situation he also learned to embrace creativelymost of Oh My Gods songs were written from beds. Morby typically starts and ends each day by playing guitar or writing songs while under the covers, a practice that mimics prayer in myriad ways. Theres something sacred about working from bed, he says. Its where you make love and where you dream. I always write just before I go to sleep and right when I wake up. Its where I can access that feeling of dreams. Any bed is always a sanctuary, but my bed at home is the Holy Grail.Morby sought to represent these sentiments visually for the release of Oh My God. In addition to using a portrait of him reclining in his own fluffy-white bed at home in Kansas City on the album cover, he also worked with the filmmaker Chris Good on a short film to accompany the release. The film stars Morby as he wanders through a dream-like series of encounterson planes, in cars, in a diner, at home in his back yardand presents a Gondry-esque vision of the album and its holy mood.Meanwhile, in January of 2018, a full year after their initial session, Morby and Cohen returned to the studio together to complete the albums recording. They fine-tuned the rollicking opening triostarting with the title track, then first single No Halo, and Nothing Sacred/All is Wild and played with various styles and techniques throughout. The ethereal Congratulations was written in a dream, a first for Morby. (Someone had been singing the chorus to me over and over, and I woke up in the morning and walked to my piano and wrote it then and there.) Seven Devils features a ripping guitar solo by Morbys bandmate Meg Duffy that evokes a distorted hellfire, and Piss River is a stream-of-consciousness, poetic and profound tune featuring harp played by Morbys friend Mary Lattimore while the singer has a call-and-response conversation with himself. Saxophone duties throughout the record were handled largely by Cochemea Gastelum, and a seven-member choir appears as well. Morby directed Cohen in the creation of a track called Storm (Beneath the Weather), a 90-second ambient instrumental piece made with synthesizers to mimic what it can feel like under the clouds. Above the weather, youre safe and nothing can get to you; its heavenly, like you achieved peace, Morby says. Below that youre subject to the insanity of humanity, or Mother Nature. I wanted a weird, atonal sound on the record to represent a storm, which feels in-line with the pop-art idea.Hail Mary may be the albums grandest moment and is recognizable as one of the few guitar-driven songs that hearkens back to his previous work. Its heavy scope is still apparent despite the fact that Morby and Cohen edited it down from its original 15-minute-long, multiple-verse version into a concise five minutes and three verses. And as the final song, O Behold, makes a familiar, just-in-case farewell from an airplane seat (If the planes on fire/know I love you), the listener can sense the credits rolling as the clouds begin to break, grips loosen, and the kingdom comes into view. At 14 tracks and four sides, Oh My God is an actualized concept album with a contemporary feel that is sure to find itself on the shelf next to classic double-LPs like Blonde on Blonde, Exile on Main St, London Calling, and Zen Arcade with its maker planted firmly in a window seat at the front of the plane. Morby has graduated from the DIY beginnings and warehouse shows of his early days to become an admired, impassioned auteur who retains firm control of his vision as his stages only continue to grow. At the end of the day, says Morby, the only thing I dont want is to be bored. If someone wants to get in my face about writing a non-religious religious record? Thank god. Thats all I gotta say.

Categories: Concerts & Tour Dates