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      Joseph in Portland

      • Joseph Photo #1
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      September 15, 2019

      Sunday   9:00 PM

      8 NW Sixth Avenue
      Portland, Oregon 97209


      with Deep Sea Diver
      The sophomore effort from Oregon-bred trio Joseph, Good Luck, Kid is a road movie in album form, an odyssey at turns emotional, existential, and entirely literal. With their intimate storytelling and restless intensity, Natalie Schepman and her sisters Allison and Meegan Closner detail that journey in songs that careen and sprawl and often soar, ultimately spinning a narrative of life-changing transformation.The through-line of the album is this idea of moving into the drivers seat of your own liferecognizing that youre the adult now, and everythings up to you from this moment on, says Natalie. Youre not completely sure of how to get where you need to go, and you dont have any kind of a map to help you. Its just the universe looking down on you like, Good luck, kid.In the making of Good Luck, Kid, Joseph deliberately strayed from the dreamy folk of their 2016 debut Im Alone, No Youre Not, giving way to a far grittier and more dynamic sound. Produced by Christian Leggy Langdon (Meg Myers, Charlotte OC), the result is a nuanced breed of pop/rock built on thick drums and lustrous guitars, heavy grooves and radiant melodies. Despite that bolder sonic palette, Good Luck, Kid remains centered on the bands crystalline vocal work, including the otherworldly harmonies that suggest a near-telepathic connection among sisters.Kicking off Good Luck, Kid with the sweeping lead single Fighter, Joseph immediately prove the transcendent power of that connection, even as their lyrics speak to a nearly disastrous discord. That songs about how our band almost broke up, explains Natalie. Its the story of the three of us wanting different things and dealing with that conflict, and eventually deciding to just keep going. Driven by a heady momentum, Good Luck, Kid then takes on the breakneck pace of the title track, a gloriously dizzying anthem that channels the raw urgency of desire. But on Green Eyes, Joseph shift into a torchy poignancy, echoing the albums undercurrent of romantic devastation. Green Eyes is about wanting to stay with someone but giving them the freedom to walk away, and feeling the pain of realizing that theyre no longer in this with you, Meegan points out.On Revolving Doorthe gorgeously sorrowful centerpiece to Good Luck, Kidthat pain reaches a heart-crushing crescendo. As we were putting the record together, the arc that emerged was Hope, Betrayal, Rebirth, says Meegan. We put Revolving Door at the middle because its about that moment of finally realizing Okay, you dont choose thisyou dont choose me. Its the pinnacle of betrayal, and its the turning point for the whole album.With the remainder of Good Luck, Kid documenting what Natalie describes as a rising-up out of the ashes, Joseph grace every song with the captivating chemistry they first discovered upon forming in 2014. Spontaneously choosing their name on a trip to visit their grandfather in the Oregon town of Joseph, the band got their start playing backyard parties, and gradually amassed a devoted fanbase. Following the release of Im Alone, No Youre Notan album made with Mike Mogis (First Aid Kit, Jenny Lewis)Joseph soon began taking the stage at major festivals like Bonnaroo and touring with such artists as James Bay and Amos Lee. As they brought Good Luck, Kid to life, the Closner sisters expanded on the elegant synergy of elements initially glimpsed on their debut: Meegans sharp melodic skills, Allisons gift for uncovering the emotional heart of each track, and Natalies extraordinary songwriting instincts. Making this album, there were so many times when wed be trying to come up with the next verse to a song, and Natalie would pull together something amazing completely out of nowhere, Allison recalls. Its like shes some kind of magician.In reflecting on the quiet metamorphosis chronicled within Good Luck, Kid, Joseph hope that the album might spark a similar evolution in listeners. For me this record is about stepping out of being a victim, and Id love for it to help people feel like they have the power to change their own lives too, says Meegan. In the spirit of that well-wishing, Good Luck, Kid closes out with a starkly arranged but unforgettably tender benediction called Room for You. My best friend recently had a baby, and as I was holding him I had this feeling like, I never want you to hurt, ever, says Natalie. I love the idea of ending the record by sending people off with that message: I hope the world makes room for you and your dreams. I know that an album cant ever fix anything, but I hope it can be a balm whatevers hurting, and helps people feel like theyre truly believed in.

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